Phototypes of the Gill exhibition at Monotype House.
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Phototypes of the Gill exhibition at Monotype House. by Eric Gill

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Published by Monotype Corp. in Surrey .
Written in English


Book details:

Edition Notes

ContributionsMonotype Corporation.
ID Numbers
Open LibraryOL13858580M

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the monotype recorder, commemorating an exhibition of lettering and type designs by eric gill, held at monotype house, london, in october, on *free* shipping on qualifying offers. the monotype recorder, commemorating an exhibition of lettering and type designs by eric gill, held at monotype house. Get this from a library! Commemorating an exhibition of lettering and type designs by Eric Gill: held at Monotype House, London in October [Eric Gill; Monotype Corporation.;]. Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from onwards.. Gill Sans is based on Edward Johnston's "Underground Alphabet", the corporate font of London a young artist, Gill had assisted Johnston in its early development stages. In , Douglas Cleverdon, a young printer-publisher, opened a bookshop Category: Sans-serif. The Monotype Recorder Commemorating an Exhibition of Lettering and Type Designs By Eric Gill Held at Monotype House, London in October by No. 3 The Monotype Recorder, Vol. 41 | .

  The exhibition in question, which begins on 29 April, will be called Eric Gill: The Body, and one of the first items visitors will see will be the envelope on which Gill pencilled the sizes of his. The new faces are the work of Monotype designers Steve Matteson, George Ryan, Ben Jones and Terrance Weinzierl and are being shown at an exhibition at the Truman Brewery in East London until November Here are versions of Gill’s originals (top row) with two of the new faces below. were Gill enthusiasts). \VIc were allowed (0 borrow several unique items of original art, books from Gill 's own library, and other lterns, which would provide another dimension to the exhlbiti n. Other collectors, both tnstuuttonal and personal, also kindly provided examples of Gill's work for the exhibition, Such an abundance of course brings its.   Gill Sans, the sans serif typeface used on the covers of pre-war Penguin books, is rightly lauded in the current V&A Modernism exhibition as the first British modernist type design.

  About the age of 18, I happened to view Eric’s personal copies of the volumes. They were—and probably still are in the English speaking world—considered the ultimate books on typography and fine printing to have in the ’20s and ’30s, with Gill, Stanley Morison, and Sir Francis Meynell being the big influences on their content.   On 29 April, ‘Eric Gill: The Body’ opens at the Ditchling Museum of Art + Craft in West Sussex. The exhibition will celebrate the sculptor’s art, but also promises to address those distressing details of Gill’s personal life, including his sexual abuse of his own daughters, that emerged in the s.   Eric Gill, who died in , is perhaps best known for his Gill Sans design, prominently used by British Railways and Penguin Books. Gills Sans Nova comes in . Introduced to America in , the monotype was taken up by John Sloan and Maurice Prendergast. Works by these artists, as well as a 17th-century monotype by Anthonis Sallaert, will serve as highlights in this exhibition of the finest monotypes from the Cleveland Museum of Art’s collection.